{"id":5109,"date":"2023-11-27T13:19:21","date_gmt":"2023-11-27T13:19:21","guid":{"rendered":"https:\/\/www.humbertoramos.net\/cifras\/?page_id=5109"},"modified":"2023-11-27T19:49:15","modified_gmt":"2023-11-27T19:49:15","slug":"tiolino","status":"publish","type":"page","link":"https:\/\/www.humbertoramos.net\/cifras\/tiolino\/","title":{"rendered":"Tiolino"},"content":{"rendered":"<p><strong>Biografia<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5113\" src=\"http:\/\/www.humbertoramos.net\/cifras\/wp-content\/uploads\/2023\/11\/tiolino-1-200x300.png\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.humbertoramos.net\/cifras\/wp-content\/uploads\/2023\/11\/tiolino-1-200x300.png 200w, https:\/\/www.humbertoramos.net\/cifras\/wp-content\/uploads\/2023\/11\/tiolino-1.png 290w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p><strong>TIOLINO: 10\/05\/1969<\/strong><\/p>\n<p>Adelino Batista Livramento, nascido em Jo\u00e3o Galego, um dos povoados do Norte da Boavista, na Freguesia de S\u00e3o Jo\u00e3o Baptista, terra que viu nascer grandes artistas e tocadores de viol\u00e3o, entre eles o seu saudoso pai, \u00a0Tiolino come\u00e7ou a rabiscar as suas composi\u00e7\u00f5es ainda na adolesc\u00eancia. Nessa tenra idade era ainda influenciado pelas tend\u00eancias e sonoridades musicais que a juventude do seu tempo consumia, estilos que viajavam fora da esfera mais tradicional.\u00a0 O ponto de viragem que se verificou nas suas composi\u00e7\u00f5es deu-se quando o artista foi estudar na antiga Uni\u00e3o Sovi\u00e9tica. Ali, num contexto novo e estranho, a nostalgia falou mais alto e sentiu-se impelido a compor can\u00e7\u00f5es que navegassem em \u00e1guas mais tradicionais, a rebuscar hist\u00f3rias e melodias que narrassem a mundiviv\u00eancia das ilhas como forma de mitigar a saudade e a dist\u00e2ncia.<\/p>\n<p>Em 2007, o artista musical, Tiolino, lan\u00e7ou o seu primeiro trabalho musical intitulado &#8221; Rua Dreita&#8221;, uma esp\u00e9cie de homenagem \u00e0 rua que o viu nascer decorria ainda o ano de 1969, h\u00e1 precisamente 54 anos. Produzido com a chancela da Editora Harmonia, do reconhecido produtor musical Dj\u00f4 da Silva, que trabalhou com artistas de renome como Ces\u00e1ria \u00c9vora, Lura entre outros, o referido \u00e1lbum foi o resultado de experi\u00eancias e viv\u00eancias \u00fanicas de um ser humano que se autodenomina de um &#8220;homem kabrer&#8221;, express\u00e3o carinhosamente usada pelo artista para definir as gentes nativas da sua ilha. No entanto, a beleza e riqueza das composi\u00e7\u00f5es e sonoridades do referido \u00e1lbum abra\u00e7am o infinito imenso das Ilhas, ele que diz ser um grande f\u00e3 e admirador do afamado compositor Manuel D&#8217;Novas.\u00a0 Carregando &#8220;Rua Dreita&#8221; na bagagem, Tiolino pisou grandes palcos no pa\u00eds e na Di\u00e1spora, tais como, os dos festivais de Santa Maria no Sal e de Praia de Cruz, na Boavista, festivais de morna por todas as Ilhas e no estrangeiro, mas diz o pr\u00f3prio que o palco que mais o marcou enquanto artista foi a sala de espet\u00e1culos &#8220;New Morning&#8221; de Paris.<\/p>\n<p>Produzido pela &#8220;Boa M\u00fasica&#8221;, com a Dire\u00e7\u00e3o Musical de Bau, &#8220;100% Kabrer&#8221;, o seu segundo \u00e1lbum de originais, continua a ser um disco\u00a0 \u00a0profundamente enraizado nos costumes e viv\u00eancias da Ilha das Dunas, mas nem por isso deixa de ser um trabalho que abra\u00e7a Cabo Verde no seu todo. Constitu\u00eddo por 13 faixas, trata-se de um \u00e1lbum cozido em lume brando, preparado com a paci\u00eancia e requinte art\u00edsticos que um trabalho do g\u00e9nero requer. Mais uma vez, nesta obra, Tiolino viaja por quase todos os g\u00e9neros que pintam o universo musical tradicional cabo-verdiano, por\u00e9m, desta vez, decorando uma ou outra faixa com um cheirinho de estilos e melodias mais universais.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>BIOGRAPHY<\/strong><\/p>\n<p>Adelino Batista Livramento, born in Jo\u00e3o Galego, one of the villages in the north of Boavista, in the parish of S\u00e3o Jo\u00e3o Baptista, a land that saw the birth of great artists and guitar players, including his late father, Tiolino began scribbling his compositions and lyrics when he was still a teenager. At that tender age he was still influenced by the musical trends and sounds that the youth of his time were consuming, styles that travelled outside the more traditional sphere.\u00a0 The turning point in his compositions came when the artist went to study in the former Soviet Union. There, in a new and strange context, nostalgia spoke louder and he felt impelled to compose songs that sailed in more traditional waters, to draw on stories and melodies that narrated the world-living of the islands as a way of mitigating distance and nostalgia.<\/p>\n<p>In 2007, the musical artist Tiolino released his first album entitled &#8220;Rua Dreita&#8221;, a kind of tribute to the street where he was born in 1969, exactly 54 years ago. Produced with the seal of &#8220;Editora Harmonia&#8221;, by renowned music producer Dj\u00f4 da Silva, who has worked with renowned artists such as Ces\u00e1ria \u00c9vora, Lura and others, the album was the result of the unique experiences of a human being who calls himself a &#8220;kabrer man&#8221;, an expression affectionately used by the artist to define the native people of his island. However, the beauty and richness of the compositions, lyrics and sounds on this album embrace the immense infinity of the Islands, and he says he is a great fan and admirer of the famous composer Manuel D&#8217;Novas.\u00a0 Carrying &#8220;Rua Dreita&#8221; in his luggage, Tiolino has played on big stages in the country and in the Diaspora, such as the festivals of Santa Maria in Sal, and Praia de Cruz in Boavista, he has played in morna festivals all over the Islands and abroad, but he says that the stage that most marked him as an artist was the &#8220;New Morning&#8221; concert hall in Paris.<\/p>\n<p>Produced by &#8220;Boa M\u00fasica&#8221;, with Bau as musical director, &#8220;100% Kabrer&#8221;, his second album of originals, continues to be an album deeply rooted in the customs and experiences of the island of the dunes, but it is still a work that embraces Cape Verde as a whole. Consisting of 13 tracks, it is an album cooked over a low heat, prepared with the patience and artistic refinement that a work of this kind requires. Once again, in this work, Tiolino travels through almost all the genres that paint the traditional Cape Verdean musical universe, but this time decorating one or other track with a scent of more universal styles and melodies.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Composi\u00e7\u00f5es:<\/strong><\/p>\n<ol>\n<li>Agua benta<\/li>\n<li>Bom kriol<\/li>\n<li>Dilema<\/li>\n<li>Eterno<\/li>\n<li>F\u00e9 de um fidje<\/li>\n<li>Ilha arenosa<\/li>\n<li>Karta bensu\u00f3d<\/li>\n<li>Kaza<\/li>\n<li>Kompanher<\/li>\n<li>Korda korda<\/li>\n<li>M\u00e3e Bubista<\/li>\n<li>Nha lamente<\/li>\n<li>N\u00f4 bem fal\u00e1<\/li>\n<li>Papa k&#8217;let<\/li>\n<li>Pidrinhe<\/li>\n<li>Rua d&#8217;reita<\/li>\n<li>Salta janela<\/li>\n<li>S\u00f4 pa festa<\/li>\n<li>Txan<\/li>\n<li>Viagem de morabeza<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Biografia TIOLINO: 10\/05\/1969 Adelino Batista Livramento, nascido em Jo\u00e3o Galego, um dos povoados do Norte da Boavista, na Freguesia de S\u00e3o Jo\u00e3o Baptista, terra que viu nascer grandes artistas e [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":"","footnotes":""},"class_list":["post-5109","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.humbertoramos.net\/cifras\/wp-json\/wp\/v2\/pages\/5109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.humbertoramos.net\/cifras\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.humbertoramos.net\/cifras\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.humbertoramos.net\/cifras\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.humbertoramos.net\/cifras\/wp-json\/wp\/v2\/comments?post=5109"}],"version-history":[{"count":5,"href":"https:\/\/www.humbertoramos.net\/cifras\/wp-json\/wp\/v2\/pages\/5109\/revisions"}],"predecessor-version":[{"id":5117,"href":"https:\/\/www.humbertoramos.net\/cifras\/wp-json\/wp\/v2\/pages\/5109\/revisions\/5117"}],"wp:attachment":[{"href":"https:\/\/www.humbertoramos.net\/cifras\/wp-json\/wp\/v2\/media?parent=5109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}